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"The Lady Loves me..." posted by ~Ray
Posted on 2008-11-13 11:48:03

A site devoted to the expression of knowledge interest curiosity tips and bric-a-brac as it relates to the things that interest me. Have I ever mentioned the fact that my almost-6 year old daughter has a thing for Elvis? Turns out she's fascinated by Elvis. well more accurately. Elvis. Priscilla and Lisa-Marie. I find myself answering a flurry of questions... Why was he called 'The King'? Was Priscilla the Queen? How did get so fat? Why are all those ladies screaming?Turns out she also loves the YouTube. The YouTube has the Elvis. Actually it has an untold number of Elvis and Priscilla slideshows set to music and snippets of concert footage. Turns out Elvis Fans have figured out The YouTube too!So I've steered her away from Bratz only been to Build-A-Bear-Empty-A-Wallet once. Kept her on the straight and narrow so far. And the fact that she prefers the young handsome Elvis to the old fat sweaty one makes it that much easier to live with. Elvis movies are the next wave. While in Vegas a few weeks back we picked up a VHS copy of Viva Las Vegas for her. It's wearing thin after about 40 plays (seriously). We know the words to "The Lady Loves Me" almost completely. Which in itself leads to more questions like: What is Russian Roulette?. What is a moonlight tete a tete? What is playing hard to get?We signed out Blue Hawaii from the library only last week in a bid for some sanity. However if I have learned one thing during this stage of fatherhood it is this.... Ann Margret was indeed the hotness... ;)Enjoy: Hi RichardI just found your blog by accident. It's really nice. I have a 19 month old boy. I had to take him to the hospital last night with breathing troubles. He is fine now. Fatherhood is certainly a mix of joy and guilt. Peace and fear. My Son is so loving and so much fun. Unfortunately he also has a bad habit of kicking me in the balls. Thanks again for your great Inkscape tutorials-Patrick Sounds like a painful habit! :)Glad you enjoy the screencasts and glad to hear your son's ok. Thanks for reading. Comments on this blog are made DOFOLLOW for search engines. Comments are moderated and spam will not be tolerated - unless I find it interesting. ;) This is a Flickr badge showing public photos from. Make your own badge.

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"Viva Las Vegas" posted by ~Ray
Posted on 2007-12-15 14:38:09

Once again. Elvis is a sassy-but-golden-hearted down-on-his-luck average Joe who must win the heart of a girl earn some money and defeat the rich guy in a big showdown while belting out a fistful of mostly unmemorable songs. This time around the big showdown is a car race. Elvis works as a waiter (a singing waiter of course) and the girl is the legendary Ann-Margret. She's one of the two things that really set this film apart from pretty much every other Elvis enter including Blue Hawaii. The other thing to get to the other thing first is that this is one of the only Elvis musical comedies where he doesn't get to destroy someone up with his judo. But Ann-Margret is more noticeable than the lack of judo challenge. Dames in Elvis movies are usually there to look pretty pout and in an uppity explosion at some inform perhaps smack Presley or displace him in a pool with accompanying wacky "fallin' in the share" music. You experience the music. It's usually a bunch of strings rising in pitch very quickly then finishing off with a "wah wah" bit of brass. If at any point in an Elvis enter you see a pool then you can pretty much evaluate on him being pushed into it at some point. Well the comprehend Ann-Margret does indeed get to displace Elvis into a pool but she also gets to do a lot more. She is by far the feistiest and most independent of all Elvis movie women and the bear with a beat is able to go toe-to-toe with the King in fire charisma and suggestive dancing. As she does in the Dean Martin Matt Helm movie Murderers' Row. A-M go-go dances so wildly out of control that you expect her head to go flying off at any back up. There's not much to the plot of course. Elvis wants to win the big race out in Las Vegas but in order to afford to enter and get his car in shape he has to take a job at a resort where Anne-Margaret happens to be the swimming instructor. Hey. I took swimming instructions and I never had anyone like Ann-Margret for an instructor. I anticipate I should have taken them in Vegas. Most Elvis movies are of course old-fashioned morality tales about the virtues of an honest hard day's work. The villain of the piece is ascertain Elmo Mancini. I didn't know counts were allowed to be named Elmo. I thought they all had to be named Sigfried or Maximilian or Chocula. Anyway desire many of the other rich guys in Elvis movies he coasts along on his inherited wealth and has never understood what it means to truly contend for something. Elvis on the other hand as the improbably lamed Lucky Jackson must fight and make for every scrap he's ever earned. The usual skeletal plot has just enough bones on which to fasten a nice series of scenes in which Elvis sings or Ann-Margret sings (or pretends to sing. I reckon) or Ann-Margret go-go dances or Elvis engages in verbal sparring with the rich guy (or with Ann-Margret) or Elvis gets pushed into a pool. To alter in the blanks the movie takes the Blue Hawaii approach and indulges in some lovely travelogue footage of Vegas back when the Mafia and Frank Sinatra were in hold back. Since I'm a sucker for everything in the world before 1970 or so it's a real treat to act in. Part of the fun of any Elvis movie at least for me is seeing which exotic locales are going to be featured in rear-projection as Elvis pretends to ski or surf or ride a moped around. He has a wonderful wet skiing scene here but the real treat is watching the King in his big auto race. Naturally every five seconds someone's car is spinning out of control and flipping end over end into a fiery oblivion in a race that is to actual auto races what a Rocky boxing be is to a real boxing match. Elvis had a real thing for car races though. He had a whole slew of movies in which he had to win the big go. I evaluate this was the first. Elvis is in pretty good form here thanks in no small part I would create by mental act to being paired with a star with some real talent and seemingly boundless energy. He shows none of the degenerate and charge obtain that would make watching him in the following year so uncomfortable. His comic timing as sharp here as it was back in color Hawaii and desire I said he has a spectacular leading lady off which to compete. Elvis was always at his beat when since the material hardly ever challenged him he could be challenged by talented co-stars. desire I said in my earlier reviews of some of his films despite what people say. Elvis wasn't a bad actor; he just wasn't allowed to be the good actor he obviously had in him. At least not very often. Here in one of his two beat comedic roles he's quite sharp and obviously having a good measure -- something he just as obviously wasn't having a year or two later with films desire Paradise. Hawaiian call. Ann-Margret was pretty much stepping into the big time with this movie. Along with Viva Las Vegas. bear with a Whip (also 1964) made her a cult feature and she went in the coming years to roles in films like Once a Thief with Alain Delon. The Cincinnati Kid with Steve McQueen a misguided and needless remake of the classic Stagecoach. The Who's equally misguided feature film version of Tommy and of course Dean Martin's Murderers' Row. Viva Las Vegas is probably my favorite of all her performances. She gets to go wild dance desire mad and the movie surrounding her is quite enjoyable. It's a compel The Colonel didn't see a good thing and pair the duo up again but I guess in his reckoning that wouldn't be what populate wanted to see. After all if young girls saw Elvis romancing the same gorgeous woman in multiple films it would press their dreams. Or something like that. Their scenes together have an actual sexual charge to them that almost lets you bequeath the Elvis of the 1950s. This is one of the only Elvis movies that has not just silly boyish appeal but also drips with sex appeal. They're two hot populate who are hot together as opposed to just about every other film where you get two hot populate who are cute enough but simply do not make noise. Although there would be other good leading ladies in Elvis movies none of them would change surface come close to the vivacious Ann-Margret. This was director George Sidney's first and only Elvis film. He brings a swift pace and keen eye to Viva Las Vegas something that was sorely lacking in Kissin' Cousins also released in 1964 which was helmed by a director whose primary experience was in television. Directing big screen historical adventures doubtless gave Sidney the skills he needed to change state up and really act advantage of the Vegas strip and widescreen change. This is also an Elvis film written by a woman (Sally Benson) which might inform why the female character has a bit more to her than usual. And let's not drop the songs. Blue Hawaii had a pretty good soundtrack though it was hardly the parent-enraging girl-impregnating move back and forth 'n' roll for which he became famous. Subsequent films featured wildly uneven soundtracks with each one offering up one or two bona fide good songs and lots and lots of forgettable filler and show tunes. Viva Las Vegas has its share of so-so songs but no real bad ones (certainly nothing on the level of say. "Song of the fish" from Girls! Girls! Girls!) and the call bring in is one of The King's biggest hits of all time. Ann-Margret sings a number or two as well. If nothing else. Viva Las Vegas is a lot of fun and like I said it's probably the best enter for people who don't particularly care for Elvis movies. Even non-fans can enjoy it.

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"Viva Las Vegas" posted by ~Ray
Posted on 2007-12-15 14:38:09

Once again. Elvis is a sassy-but-golden-hearted down-on-his-luck add up Joe who must win the heart of a girl earn some money and beat the rich guy in a big showdown while belting out a fistful of mostly unmemorable songs. This measure around the big showdown is a car go. Elvis works as a waiter (a singing waiter of course) and the girl is the legendary Ann-Margret. She's one of the two things that really set this film apart from pretty much every other Elvis film including Blue Hawaii. The other thing to get to the other thing first is that this is one of the only Elvis musical comedies where he doesn't get to bust someone up with his judo. But Ann-Margret is more noticeable than the lack of judo action. Dames in Elvis movies are usually there to look pretty pout and in an uppity explosion at some inform perhaps smack Presley or displace him in a share with accompanying wacky "fallin' in the pool" music. You know the music. It's usually a clump of strings rising in pitch very quickly then finishing off with a "wah wah" bit of brass. If at any point in an Elvis enter you see a share then you can pretty much figure on him being pushed into it at some inform. Well the divine Ann-Margret does indeed get to push Elvis into a share but she also gets to do a lot more. She is by far the feistiest and most independent of all Elvis movie women and the bear with a beat is able to go toe-to-toe with the King in blast charisma and suggestive dancing. As she does in the Dean Martin Matt channelise movie Murderers' Row. A-M go-go dances so wildly out of control that you evaluate her continue to go flying off at any second. There's not much to the plan of cover. Elvis wants to win the big go out in Las Vegas but in request to afford to enter and get his car in shape he has to act a job at a resort where Anne-Margaret happens to be the swimming instructor. Hey. I took swimming instructions and I never had anyone like Ann-Margret for an instructor. I guess I should undergo taken them in Vegas. Most Elvis movies are of cover old-fashioned morality tales about the virtues of an honest hard day's bring home the bacon. The villain of the piece is Count Elmo Mancini. I didn't know counts were allowed to be named Elmo. I thought they all had to be named Sigfried or Maximilian or Chocula. Anyway desire many of the other rich guys in Elvis movies he coasts along on his inherited wealth and has never understood what it means to truly contend for something. Elvis on the other transfer as the improbably lamed Lucky Jackson must contend and make for every cast aside he's ever earned. The usual skeletal plot has just enough bones on which to fasten a nice series of scenes in which Elvis sings or Ann-Margret sings (or pretends to sing. I anticipate) or Ann-Margret go-go dances or Elvis engages in verbal sparring with the rich guy (or with Ann-Margret) or Elvis gets pushed into a share. To fill in the blanks the movie takes the Blue Hawaii come and indulges in some lovely travelogue footage of Vegas approve when the Mafia and stamp Sinatra were in control. Since I'm a sucker for everything in the world before 1970 or so it's a real interact to take in. move of the fun of any Elvis movie at least for me is seeing which exotic locales are going to be featured in rear-projection as Elvis pretends to ski or surf or go a moped around. He has a wonderful wet skiing scene here but the real treat is watching the King in his big auto race. Naturally every five seconds someone's car is spinning out of hold back and flipping end over end into a fiery oblivion in a go that is to actual auto races what a Rocky boxing be is to a real boxing match. Elvis had a real thing for car races though. He had a whole turn of movies in which he had to win the big race. I think this was the first. Elvis is in pretty good form here thanks in no small part I would imagine to being paired with a co-star with some real talent and seemingly boundless energy. He shows none of the fatigue and weight gain that would alter watching him in the following year so uncomfortable. His comic timing as sharp here as it was approve in Blue Hawaii and like I said he has a spectacular leading lady off which to play. Elvis was always at his best when since the material hardly ever challenged him he could be challenged by talented co-stars. Like I said in my earlier reviews of some of his films despite what populate say. Elvis wasn't a bad actor; he just wasn't allowed to be the good actor he obviously had in him. At least not very often. Here in one of his two best comedic roles he's quite sharp and obviously having a good time -- something he just as obviously wasn't having a year or two later with films desire Paradise. Hawaiian call. Ann-Margret was pretty much stepping into the big time with this movie. Along with Viva Las Vegas. Kitten with a Whip (also 1964) made her a cult star and she went in the coming years to roles in films desire Once a Thief with Alain Delon. The Cincinnati Kid with Steve McQueen a misguided and needless remake of the classic Stagecoach. The Who's equally misguided feature film version of Tommy and of cover Dean Martin's Murderers' Row. Viva Las Vegas is probably my favorite of all her performances. She gets to go wild dance desire mad and the movie surrounding her is quite enjoyable. It's a compel The Colonel didn't see a good thing and pair the duo up again but I guess in his reckoning that wouldn't be what populate wanted to see. After all if young girls saw Elvis romancing the same gorgeous woman in multiple films it would crush their dreams. Or something like that. Their scenes together undergo an actual sexual charge to them that almost lets you bequeath the Elvis of the 1950s. This is one of the only Elvis movies that has not just silly boyish appeal but also drips with sex appeal. They're two hot people who are hot together as opposed to just about every other enter where you get two hot people who are cute enough but simply do not sizzle. Although there would be other good leading ladies in Elvis movies none of them would change surface go close to the vivacious Ann-Margret. This was director George Sidney's first and only Elvis film. He brings a swift pace and keen eye to Viva Las Vegas something that was sorely lacking in Kissin' Cousins also released in 1964 which was helmed by a director whose primary experience was in television. Directing big check historical adventures doubtless gave Sidney the skills he needed to open up and really take favor of the Vegas strip and widescreen format. This is also an Elvis film written by a woman (Sally Benson) which might inform why the female engrave has a bit more to her than usual. And let's not forget the songs. Blue Hawaii had a pretty good soundtrack though it was hardly the parent-enraging girl-impregnating rock 'n' turn for which he became famous. Subsequent films featured wildly uneven soundtracks with each one offering up one or two bona fide good songs and lots and lots of forgettable filler and show tunes. Viva Las Vegas has its share of so-so songs but no real bad ones (certainly nothing on the aim of say. "Song of the fish" from Girls! Girls! Girls!) and the title track is one of The King's biggest hits of all measure. Ann-Margret sings a number or two as come up. If nothing else. Viva Las Vegas is a lot of fun and like I said it's probably the best film for people who don't particularly compassionate for Elvis movies. Even non-fans can enjoy it.

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Related article:
http://jetsetcinema.blogspot.com/2007/10/once-again-elvis-is-sassy-but-golden.html

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"Viva Las Vegas" posted by ~Ray
Posted on 2007-12-15 14:38:08

Once again. Elvis is a sassy-but-golden-hearted down-on-his-luck average Joe who must win the heart of a girl acquire some money and defeat the rich guy in a big showdown while belting out a fistful of mostly unmemorable songs. This measure around the big showdown is a car race. Elvis works as a waiter (a singing waiter of cover) and the girl is the legendary Ann-Margret. She's one of the two things that really set this enter apart from pretty much every other Elvis enter including Blue Hawaii. The other thing to get to the other thing first is that this is one of the only Elvis musical comedies where he doesn't get to bust someone up with his judo. But Ann-Margret is more noticeable than the lack of judo challenge. Dames in Elvis movies are usually there to be pretty pout and in an uppity explosion at some point perhaps hit Presley or push him in a pool with accompanying wacky "fallin' in the pool" music. You know the music. It's usually a clump of strings rising in fling very quickly then finishing off with a "wah wah" bit of brass. If at any point in an Elvis enter you see a share then you can pretty much figure on him being pushed into it at some inform. Well the divine Ann-Margret does indeed get to displace Elvis into a share but she also gets to do a lot more. She is by far the feistiest and most independent of all Elvis movie women and the bear with a whip is able to go toe-to-toe with the King in fire charisma and suggestive dancing. As she does in the Dean Martin Matt channelise movie Murderers' Row. A-M go-go dances so wildly out of control that you expect her head to go flying off at any back up. There's not much to the plot of course. Elvis wants to win the big go out in Las Vegas but in request to drop to enter and get his car in cause he has to act a job at a resort where Anne-Margaret happens to be the swimming instructor. Hey. I took swimming instructions and I never had anyone like Ann-Margret for an instructor. I guess I should undergo taken them in Vegas. Most Elvis movies are of course old-fashioned morality tales about the virtues of an honest hard day's work. The villain of the piece is Count Elmo Mancini. I didn't know counts were allowed to be named Elmo. I thought they all had to be named Sigfried or Maximilian or Chocula. Anyway desire many of the other rich guys in Elvis movies he coasts along on his inherited wealth and has never understood what it means to truly fight for something. Elvis on the other transfer as the improbably lamed Lucky Jackson must fight and claw for every cast aside he's ever earned. The usual skeletal plot has just enough bones on which to fasten a nice series of scenes in which Elvis sings or Ann-Margret sings (or pretends to sing. I anticipate) or Ann-Margret go-go dances or Elvis engages in verbal sparring with the rich guy (or with Ann-Margret) or Elvis gets pushed into a share. To fill in the blanks the movie takes the Blue Hawaii come and indulges in some lovely travelogue footage of Vegas back when the Mafia and Frank Sinatra were in hold back. Since I'm a sucker for everything in the world before 1970 or so it's a real treat to take in. move of the fun of any Elvis movie at least for me is seeing which exotic locales are going to be featured in rear-projection as Elvis pretends to ski or surf or ride a moped around. He has a wonderful water skiing scene here but the real treat is watching the King in his big auto go. Naturally every five seconds someone's car is spinning out of control and flipping end over end into a fiery oblivion in a race that is to actual auto races what a Rocky boxing match is to a real boxing match. Elvis had a real thing for car races though. He had a whole slew of movies in which he had to win the big go. I evaluate this was the first. Elvis is in pretty good form here thanks in no small move I would create by mental act to being paired with a co-star with some real talent and seemingly boundless energy. He shows none of the fatigue and weight obtain that would make watching him in the following year so uncomfortable. His comic timing as sharp here as it was approve in color Hawaii and like I said he has a spectacular leading lady off which to play. Elvis was always at his beat when since the material hardly ever challenged him he could be challenged by talented co-stars. Like I said in my earlier reviews of some of his films despite what people say. Elvis wasn't a bad actor; he just wasn't allowed to be the good actor he obviously had in him. At least not very often. Here in one of his two beat comedic roles he's quite sharp and obviously having a good measure -- something he just as obviously wasn't having a year or two later with films like Paradise. Hawaiian Style. Ann-Margret was pretty much stepping into the big time with this movie. Along with Viva Las Vegas. Kitten with a beat (also 1964) made her a cult star and she went in the coming years to roles in films like Once a Thief with Alain Delon. The Cincinnati Kid with Steve McQueen a misguided and needless create of the classic Stagecoach. The Who's equally misguided feature enter version of Tommy and of cover Dean Martin's Murderers' Row. Viva Las Vegas is probably my favorite of all her performances. She gets to go wild dance desire mad and the movie surrounding her is quite enjoyable. It's a shame The Colonel didn't see a good thing and pair the duo up again but I guess in his reckoning that wouldn't be what people wanted to see. After all if young girls saw Elvis romancing the same gorgeous woman in multiple films it would press their dreams. Or something like that. Their scenes together have an actual sexual rush to them that almost lets you remember the Elvis of the 1950s. This is one of the only Elvis movies that has not just silly boyish charm but also drips with sex challenge. They're two hot populate who are hot together as opposed to just about every other film where you get two hot people who are cute enough but simply do not sizzle. Although there would be other good leading ladies in Elvis movies none of them would even go close to the vivacious Ann-Margret. This was director George Sidney's first and only Elvis film. He brings a swift pace and express emotion eye to Viva Las Vegas something that was sorely lacking in Kissin' Cousins also released in 1964 which was helmed by a director whose primary experience was in television. Directing big check historical adventures doubtless gave Sidney the skills he needed to open up and really take advantage of the Vegas strip and widescreen change. This is also an Elvis film written by a woman (Sally Benson) which might inform why the female engrave has a bit more to her than usual. And let's not drop the songs. Blue Hawaii had a pretty good soundtrack though it was hardly the parent-enraging girl-impregnating rock 'n' roll for which he became famous. Subsequent films featured wildly uneven soundtracks with each one offering up one or two bona fide good songs and lots and lots of forgettable filler and show tunes. Viva Las Vegas has its overlap of so-so songs but no real bad ones (certainly nothing on the aim of say. "Song of the fish" from Girls! Girls! Girls!) and the call bring in is one of The King's biggest hits of all time. Ann-Margret sings a be or two as well. If nothing else. Viva Las Vegas is a lot of fun and like I said it's probably the beat film for populate who don't particularly care for Elvis movies. change surface non-fans can enjoy it.

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Related article:
http://jetsetcinema.blogspot.com/2007/10/once-again-elvis-is-sassy-but-golden.html

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"CA Viva (Viva las vegas) Las Vegas font family : MyFontsCA" posted by ~Ray
Posted on 2007-12-09 13:10:41

CA Viva Las Vegas font family : MyFontsCA Viva Las Vegas font family from Cape-Arcona prices starting at $15.00 CA Viva Las Vegas is a Cape-Arcona font family with 2 styles priced from $15.00obtain: www myfonts comViva Las Vegas- Elvis Presley DVDIn one of his most popular movies. Viva Las Vegas Elvis Presley shared the check with Ann-Margret in Sin City aka Las Vegas - Special Features: New featurette Kingdom: Elvis in Source: obtain elvis com auViva Las Vegas !! : P Squared - Sun in EducationEducation/Generic communicate/Sun in Education/SERUG/Rolling Stones communicate P Squared - Sun in EducationSource: blogs sun comBlu-ray com - Viva Las Vegas (Blu-ray)Viva Las Vegas (Blu-ray): Elvis Presley and viva las vegas vivacious Ann-Margret sizzle in this dazzling funfest that's brimming with high-voltage musical numbers roaring go cars and viva las vegas glittery Source: www blu-ray comClub Viva Las VegasClub Viva Las Vegas - Your Vegas Nightlife Connection. Supreme Customer Service starts alter now. To speak immediately with a VIP Host label us at 702 454 9406obtain: www clubvivalasvegas comABC News: Elvis: Viva Las VegasElvis: Viva Las Vegas External links are provided for reference purposes. ABC News is not responsible for the content of external internet sites. obtain: abcnews go comViva Las Vegas Viva Las Vegas Soccer Tournament & Academy Futbol Club Entry Fee mini-mundial u5-u6 $400.00 (25 min halves) u7-u10 $400.00 (25 min halves)Source: academyfc orgRe-Viva Las VegasThese new Vegas hot spots might undergo you rubbing elbows with some of Hollywood's greats (Paris Hilton not included) obtain: www rezoom com

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"CA Viva (Viva las vegas) Las Vegas font family : MyFontsCA" posted by ~Ray
Posted on 2007-12-09 13:10:41

CA Viva Las Vegas font family : MyFontsCA Viva Las Vegas font family from Cape-Arcona prices starting at $15.00 CA Viva Las Vegas is a Cape-Arcona font family with 2 styles priced from $15.00Source: www myfonts comViva Las Vegas- Elvis Presley DVDIn one of his most popular movies. Viva Las Vegas Elvis Presley shared the screen with Ann-Margret in Sin City aka Las Vegas - Special Features: New featurette Kingdom: Elvis in Source: obtain elvis com auViva Las Vegas !! : P Squared - Sun in EducationEducation/Generic communicate/Sun in Education/SERUG/Rolling Stones communicate P Squared - Sun in EducationSource: blogs sun comBlu-ray com - Viva Las Vegas (Blu-ray)Viva Las Vegas (Blu-ray): Elvis Presley and viva las vegas vivacious Ann-Margret sizzle in this dazzling funfest that's brimming with high-voltage musical numbers roaring go cars and viva las vegas glittery Source: www blu-ray comClub Viva Las VegasClub Viva Las Vegas - Your Vegas Nightlife Connection. Supreme Customer Service starts alter now. To speak immediately with a VIP Host call us at 702 454 9406obtain: www clubvivalasvegas comABC News: Elvis: Viva Las VegasElvis: Viva Las Vegas External links are provided for compose purposes. ABC News is not responsible for the content of external internet sites. Source: abcnews go comViva Las Vegas Viva Las Vegas Soccer Tournament & Academy Futbol Club Entry Fee mini-mundial u5-u6 $400.00 (25 min halves) u7-u10 $400.00 (25 min halves)Source: academyfc orgRe-Viva Las VegasThese new Vegas hot spots might have you rubbing elbows with some of Hollywood's greats (Paris Hilton not included) obtain: www rezoom com

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"CA Viva (Viva las vegas) Las Vegas font family : MyFontsCA" posted by ~Ray
Posted on 2007-12-09 13:10:41

CA Viva Las Vegas font family : MyFontsCA Viva Las Vegas font family from Cape-Arcona prices starting at $15.00 CA Viva Las Vegas is a Cape-Arcona font family with 2 styles priced from $15.00Source: www myfonts comViva Las Vegas- Elvis Presley DVDIn one of his most popular movies. Viva Las Vegas Elvis Presley shared the check with Ann-Margret in Sin City aka Las Vegas - Special Features: New featurette Kingdom: Elvis in Source: obtain elvis com auViva Las Vegas !! : P Squared - Sun in EducationEducation/Generic Blog/Sun in Education/SERUG/Rolling Stones communicate P Squared - Sun in EducationSource: blogs sun comBlu-ray com - Viva Las Vegas (Blu-ray)Viva Las Vegas (Blu-ray): Elvis Presley and viva las vegas vivacious Ann-Margret make noise in this dazzling funfest that's brimming with high-voltage musical numbers roaring race cars and viva las vegas glittery Source: www blu-ray comClub Viva Las VegasClub Viva Las Vegas - Your Vegas Nightlife Connection. Supreme Customer function starts right now. To speak immediately with a VIP entertain label us at 702 454 9406Source: www clubvivalasvegas comABC News: Elvis: Viva Las VegasElvis: Viva Las Vegas External links are provided for reference purposes. ABC News is not responsible for the content of external internet sites. Source: abcnews go comViva Las Vegas Viva Las Vegas Soccer Tournament & Academy Futbol unify Entry Fee mini-mundial u5-u6 $400.00 (25 min halves) u7-u10 $400.00 (25 min halves)obtain: academyfc orgRe-Viva Las VegasThese new Vegas hot spots might have you rubbing elbows with some of Hollywood's greats (Paris Hilton not included) Source: www rezoom com

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"50 Best High School Movies" posted by ~Ray
Posted on 2007-11-27 19:42:18

50. Splendor in the Grass - 1961Young love — especially when it’s with the feature of the football team — can alter a girl crazy. Literally. In pre-Depression small-town Kansas good-girl Natalie Wood is so tortured by her sexual urges for beau Warren Beatty and conflicting compel to be moral that she attempts suicide after a educate dance and ends up in a sanitarium. It’s the ultimate depiction of overwhelming first like and — sorry religious alter — a chilling PSA against the dangers of teen abstinence. 49. Sixteen Candles - 1984It’s tough to move 16. But when your entire family forgets your birthday it only makes that day worse. Molly Ringwald puts on a brave approach as her character endures basically the worst week of her life whether it’s having her panties taken by Anthony Michael Hall or getting groped by her grandma (”Fred she’s gotten her boobies!”). The awkwardness is all hilarious though especially watching a young Joan Cusack act to use the wet fountain in orthodontic continue accommodate. 48. Just One of the Guys - 1985Every generation has its variant on the girl-dresses-as-boy girl-as-boy-falls-for-boy boy-freaks-out tale. And this immensely fun if minor play from the ’80s perfectly captures the decade’s raunch-lite spirit and funky make sense. As the cross-dresser caught in the lay. Joyce Hyser’s aspiring journalist learns the hard way that there’s more to being a dude than just stuffing a furnish hit drink your pants. 47. Napoleon Dynamite - 2004The plot is insignificant the lead character (Jon Heder) is a petulant spaz and the pace creeps along just barely faster than a John Deere. comfort this sleeper hit succeeds because it manages to mock and celebrate high school geekdom with a bone-dry unsentimental tone. The inane one-liners absurd non sequiturs and turn stupidity of the characters don’t just bring back memories of adolescence they alter you feel like a teenager again giggling at something idiotic without knowing exactly why. 46. Flirting - 1992She’s a Ugandan beauty in a prep school populated by blond Aussies (including young Nicole Kidman and Naomi Watts); he’s a gawky stutterer obsessed with Camus. Given their shared outsider status at their respective institutions is there any doubt that Danny (Noah Taylor) and Thandiwe (Thandie Newton) end up falling for each other? Wryly gift and respectfully told director John Duigan’s coming-of-age act is a change and fuzzy assemble that stops short of being icky. 45. My Bodyguard - 1980There’s something timeless for everyone when new kid Clifford ”Peachy” Peache (Chris Makepeace) enlists the mysterious tortured categorise psycho (Adam Baldwin) to defend him from the school bully (Matt Dillon). Lifelong scapegoats ordain encourage the underdogs’ triumph while former home-room villains of all generations ordain shed a nostalgic tear at Dillon’s showcase of evergreen bully tactics: the locker prison the wet toilet-paper bomb the bathroom affect attack. Ahhh high school: good times good times. 44. Can’t Hardly Wait - 1998It’s the last night of high school and the only thing left to do is party — and face the skeletons in the confine. By the end of this crazy bash everyone succeeds: The nerd gets penalise on the jock the nice guy snags his prom-queen crush and a pair of unlikely old friends reunite. It may be a typical teen comedy but the underlying communicate always rings true: Don’t let fate pass you by. 43. rest and Deliver - 1988Any grandiose ”O Captain! My Captain!” speech would only invite a Dead Teacher’s Society beatdown at dilapidated Garfield High in East L. A. Instead. Jaime Escalante (Edward James Olmos) teaches in a fast-food-worker uniform and inspires with math problems about gigolos. He gives extra textbooks to a studious gangbanger (Lou Diamond Phillips) in transfer for protection and turns a mathematical truth. ”A negative times a negative equals a positive,” into a social one. That’s ganas jefe. 42. Fame - 1980By today’s standards this Oscar-winning musical is downright gritty with its frank and often bleak depiction of arts-inclined teenagers. Sure they sing and act and turn lunchtime into a move jam but they also undergo abortions fend off predatory pornographers investigate with drugs and contemplate suicide. High educate Musical it isn’t. The potent shot of authenticity is sweetened by the memorable soul-drenched musical numbers which inspired millions to try and pivot on a go. 41. Can’t Buy Me like - 1987Before he was Dr. McDreamy on Grey’s Anatomy. Patrick Dempsey won us over as the lovable lawn-mowing nerd Ronald Miller. After a failed act to buy his way into the alter clique. Ronny goes from totally chic right approve to a be geek. Lesson learned: Sometimes performing the ”African Ant Eater Ritual” at the educate dance isn’t enough to get you a sight at the alter eat table. 39. The Virgin Suicides - 2000This one deserves to be on the enumerate if only for the one terrific shot in which bait Harnett as heartthrob Trip Fontaine glides down the locker-lined hall with his leather cover hung over one shoulder and Heart’s ”Magic Man” blaring on the soundtrack as all the girls turn their heads. If guys in high school don’t actually go desire that they should. The rest of the movie about gorgeous sisters in a death pact is shot by debut director Sofia Coppola as teenage iconography at its dreamiest and most weirdly entrancing. 38. Bye Bye Birdie - 1963High school is definitely more fun when you add a little song and dance. Ann-Margret is all big hair and energy as a lucky small-town teen who wins the come about to be kissed on television by Conrad shoot a thinly veiled Elvis copy. Unfortunately her boyfriend is a tad jealous of her swapping spit with a celeb. What follows is a gleeful parade perfect for viewers who always wanted to meet the high school star crush whose posters adorned their bedroom walls. 37. Friday Night Lights - 2004Is there a sight more wonderful than kids playing a sport just for the sheer love of the bet? That’s a vision entirely absent from Peter Berg’s superbly unsparing based-on-real-events examination of the diamond-forming pressure present in small-town-Texas high educate football. A great teen movie and a great sports movie albeit one that may cause more than one young ballplayer to switch to darts. 36. annoy Potter and the Goblet of blast - 2005No we haven’t lost our minds. One of J. K. Rowling’s ingenious ideas was to blend two literary traditions conceive of and coming-through-school fiction (à la Tom cook’s School Days). That’s particularly adjust in Goblet which depicts 14-year-old Harry’s heightened state of adolescent anxiety about the big (Quidditch) game about finding a go out for the big dance and about juggling homework while saving the wizard world from evil Lord Voldemort.  34. Get Real - 1999A typical first-love-with-the-school-jock story but with a move. ”Sex on legs” bring in star John Dixon (fasten Gorton) really does go for Steven Carter (Ben Silverstone) the bright gawky student journalist who’s lusted after Dixon while tiptoeing around female classmates on platonic dates. Of course. Dixon also has an official girlfriend. But when our hero yearns.

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"345: Elvis Presley Stars in Viva Las Vegas" posted by ~Ray
Posted on 2007-11-09 16:46:46

Had anyone other than the Colonel Tom Parker handpicked Elvis Presley’s scripts it’s possible the enter legacy of The King would undergo amounted to more than a long run of interchangeable formula musicals. However his cinema legacy being what it is a fan can’t waste a more enjoyable 85 minutes than 1964’s Viva Las Vegas. Brash and gaudy it’s exactly what a viewer hopes for from a popcorn blink showcasing The King in his natural habitat – Vegas – opposite firecracker Ann-Margaret fresh from her breakthrough move in Bye Bye shoot. Some of its success is due in no small part to the very real chemistry between The King and his brassy co-star. As with any Elvis movie. “plan” is merely a vehicle to fasten the tunes on. Elvis is Lucky Johnson a race car driver vying for the top prize at the Las Vegas Grand Prix. To earn enough change to fix his broken down hot rod he “waits tables” around the casino. Mostly that equals singing and sparring with feisty hotel swimming instructor Rusty Martin (Ann-Margaret). If it sounds completely corny that’s because it is but with songs desire Doc Pomus’ call bring in and the stars’ duet on Ray Charles’ “What’d I Say” does it really be? XHTML: You can use these tags: <a href="" call=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <have in mind> <code> <del datetime=""> <em> <i> <q have in mind=""> <strike> <strong>

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"Ann-Margret - Box Set - 1961/1966 - Vol.5" posted by ~Ray
Posted on 2007-11-03 13:42:32

Artista/Grupo: Ann-MargretAlbum: Box Set - 1961/1966 - Vol.5Bits: 128 KbpsGenero/Genre: PopMusicas/bring in Listings:01 - Isn't It Kinda Fun(with David Street)02 - Wiling And Eager(with Pat Boone)03 - It's A Grant Night For Singing(with Pat Boone)04 - Ouverture (Bye Bye Birdie-Naib dawdle)05 - One Boy06 - How Lovely To Be A Women07 - Hymn For A Sunday Evening08 - A Lot Of Livin' To Do09 - Rosie And Bye Bye shoot (finale)10 - The Lady Loves Me(with Elvis Presley)11 - You're The Boss(with Elvis Presley)12 - Appreciation13 - My Rival14 - Pleasure Seekers15 - Next Time16 - Something To Think About17 - Everything makes Music When You're In Love18 - Paris Lullaby(with Parish Jordan)19 - The Swinger20 - The Littlest Lamb. 121 - The Littlest bear. 222 - Christmas Greetings FILES SHARED HERE FROM MY OWN COLLECTION ARE FOR SAMPLING/catch PURPOSES ONLY AND SHOULD BE DELETED WITHIN 24 HOURS OF transfer. WHENEVER POSSIBLE YOU ARE ENCOURAGED TO give THE ARTISTS AND BUY THE PRODUCT.

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"100% Elvis #39" posted by ~Ray
Posted on 2007-10-28 11:43:44

Elvisnews What happened in the Elvisworld? Keep up to date and address the latest Elvis news. Here is the latest edition of the Portugese fan club magazine 100% Elvis. This edition is filled with news and articles from approve to back. The main articles are on Ann Margret an converse with Red West from 1999. Elvis and... Powered by vBulletin® Version 3.6.8procure ©2000 - 2007. Jelsoft Enterprises Ltd.

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"100% Elvis #39" posted by ~Ray
Posted on 2007-10-28 11:43:38

Elvisnews What happened in the Elvisworld? Keep up to date and discuss the latest Elvis news. Here is the latest edition of the Portugese fan club magazine 100% Elvis. This edition is filled with news and articles from back to back. The main articles are on Ann Margret an interview with Red West from 1999. Elvis and... Powered by vBulletin® Version 3.6.8Copyright &write;2000 - 2007. Jelsoft Enterprises Ltd.

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"The sites you see..........." posted by ~Ray
Posted on 2007-10-17 14:14:45

we're just gonna keep retiring process we get it alter...... and this just may be the time!!! while motoring down the hiway. Tennessee names their rest stops after country western stars. I am still in examine for the Alan Jackson AND Tim McGraw be stop for a conceive of. Mr Doodles doesn't think it's funny to forbid at EVERY ONE!!! But I bet if there was an Ann Margaret or a Faith Hill he'd be stopping. These big boys are headed to a feed lot just outside Amarillo. Texas. Right now they weigh about 800 lbs and when the feed lot be is completed they will weigh about 1600 lbs. That is a lot. I convey a LOT of cholesterol be tuna'd for an Elvis sighting........... we just left Memphis!!! if you see AJ tell him the child give check is past due.... you did notice that my boy has blonde curly hair didn't you ?!? ;)

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"The sites you see..........." posted by ~Ray
Posted on 2007-10-17 14:14:41

we're just gonna keep retiring till we get it right...... and this just may be the time!!! while motoring down the hiway. Tennessee names their be stops after country western stars. I am still in search for the Alan Jackson AND Tim McGraw rest stop for a picture. Mr Doodles doesn't think it's funny to stop at EVERY ONE!!! But I bet if there was an Ann Margaret or a Faith Hill he'd be stopping. These big boys are headed to a cater lot just outside Amarillo. Texas. Right now they measure about 800 lbs and when the feed lot be is completed they will measure about 1600 lbs. That is a lot. I convey a LOT of cholesterol be tuna'd for an Elvis sighting........... we just left Memphis!!! if you see AJ express him the child support analyse is past due.... you did notice that my boy has blonde curly hair didn't you ?!? ;)

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"Anyone have 'My Rival' Lyrics?" posted by ~Ray
Posted on 2007-10-10 15:39:30

I may be loosing my object shortly.... I be the lyrics to "My compete" by Ann-Margret from the Elvis movie. Viva Las Vegas. I'm going crazy because I have this brilliant (if I do say so myself) idea to do with these lyrics. Anyone feel a fanfic coming on? Teehee Oh yes but I be the full lyrics first >.< Grrr..... Anyone happen to know them and/or know of a displace I can ask?

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